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Copyright And Other Fairy Tales
Hans Christian Andersen and the Commodification of Creativity

Edited by Helle Porsdam, Professor of American Studies, University of Copenhagen, Denmark
2006 192 pp Hardback 978 1 84542 601 9 £55.00 on-line discount £49.50

‘Once the preserve of a few legal specialists, the wider implications of copyright law are more and more the concern of literary scholars and cultural analysts as well as of increasingly sceptical lawyers. Helle Porsdam is to be congratulated on assembling and editing this interesting collection of essays, which rightly opens up even further the debate on the cultural role of copyright law, one in which every one of us should participate.’
– Ruth Towse, Erasmus University Rotterdam, The Netherlands

The present state of copyright law and the way in which it threatens the remix of culture and creativity is a shared concern of the contributors to this unique book. Whether or not to remain within the underlying regime of intellectual property law, and what sort of reforms are needed if we do decide to remain within this regime, are fundamental questions that form the subtext for their discussions.

Contents: Introduction: Hans Christian Andersen, Best of Story Tellers 1. (Re)creativity: How Creativity Lives 2. On Real Nightingales and Mechanical Reproductions 3. Bleak House or Great Expectations? The Literary Author as a Stakeholder in Nineteenth-Century International Copyright Politics 4. Adaptations with Integrity 5. What Might Hans Christian Andersen Say About Copyright Today? 6. Hans Christian Andersen and the Protection of Traditional Cultural Expressions 7. Should the Logic of ‘Open Source’ be Applied to Digital Cultural Goods? An Exploratory Essay 8. Imagining the World Without Copyright: The Market and Temporary Protection, A Better Alternative for Artists and the Public Domain Index Contributors: M. Blakeney, L. Davis, L. Lessig, F. Macmillan, H. Porsdam, J. Smiers, U. Suthersanen, S. Teilmann, L.K. Treiger-Bar-Am, M. van Schijndel





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